Which akg 414 to buy

Also, this is where something very important to consider comes into play. This is why we actually recommend dynamic microphones over condenser microphones for beginners with untreated rooms. However, the C seems especially affected by this due to its high sensitivity.

In other words, the great accurate and detailed sound that the C captures, can also be a disadvantage, exposing the flaws of your room and exacerbating the ugly effects of poor recording techniques.

Nonetheless, the AKG C has a great sound. It just requires a little more diligence while recording. This is not a criticism of the C, but certainly something to consider if you have yet to properly treat your room. The real distinction is the slight difference in sound character between these two microphones. The only real difference is that the XLII has a slight boost on its top end. The XLS has a more neutral sound. Although subtle, the slight treble boost can bring out some extra clarity and presence to vocals.

Nonetheless, if your main priority is recording vocals and not instruments, the price is another reason to go with the XLII. If money is not an issue, and you truly want an all-around microphone, go with the XLS. Vocals will still sound great on the XLS. In fact, you might even have a preferred taste for its warmer sound. Overall, we believe the XLS is a slightly better microphone due to its more neutral sound, but the difference is subtle.

We encourage you to look at your situation and what you want to record to decide which C is best for you. To our surprise, the C actually comes in a quality case. The heavy duty aluminum case is rather large and includes a variety of accessories.

The included manual also shows all the frequency responses of the various polar patterns for your use. The shock-mount securely holds your microphone with one quick twist on the bottom.

You simply put your mic in, twist the bottom and your microphone is locked in and secure. This makes it incredibly easy to rotate the position of your microphone. Because your microphone is secure, you can feel confident putting your microphone in any position including upside down.

The C can also be bought in matched stereo pairs. This microphone has become very popular in stereo recording. The stereo pair enables you to record in a multitude of configurations whether it be X-Y, mid-side, or spaced stereo recording. Two Cs to record overhead drums is a classic setup used by many drummers. With a stereo pair and the ability to cycle between polar patterns, two Cs can be a very powerful weapon in the studio.

It has become a studio standard and will be quite valuable due to its versatility in the studio. The C is indeed quite expensive. If it did not have the ability to switch polar patterns, then you could argue that it was too expensive. You could also argue that there are other microphones at its price-point that possibly sound better. The Neumann TLM is a great example of a condenser microphone in the same price range that you could say outshines the C in terms of sound quality.

However, this may be comparing apples to oranges. The C is a very sensitive and detailed microphone. If you want to experiment with recording guitar amps and drums and capture the reverberation and ambience of a room, then go for the C Switching to the omnidirectional pickup pattern might even come in handy for this.

Nonetheless, using the C will result in a very detailed recording despite some mindful coloration from the XLII. Just as importantly, owning the AKG C is going to give you the power to recording in many various recording scenarios due to its versatile polar pattern selector.

Universal Audio has been working hard over the years to ensure a steady flow of excellent products. Most certainly, this device completes that line of notable devices. Becoming a better music producer isn't just about the craft of music production. Finding success as a music producer is about much more. It's also about motivation, creativity, marketing, and the ability to sell your music and personal brand. Below, we've listed our top 10 books to make you a better producer.

The sound profile is defined by a deep and clear bass, which provides a well balanced low-end without overpowering the mix. The speakers also feature a high-precision double flared port, which in combination with the sub offer a h Their monitors are famous for their natural and well-balanced response, and they have gained a strong reputation particularly in the realm of Hip-hop and Electronic Dance Music. KRK is also known for their high-quality stereo imaging technologies, a noticeable penchant in the speaker production market over the last three years.

What is particularly impressive about the KRK production line is t We researched dozens of studio monitors and weighed all the pros and cons. These are 's best studio monitors at every price. The Warm Audio WA, is it worth it? We carefully reviewed the pros and cons of the U47 inspired multi-pattern, large-diaphragm, tube condenser microphone.

We list our 10 cheap studio improvements. Mid-way in the EB production, they stopped using the original CK capsules. The EB's thereafter is still pretty useable. I amazed at all the different 's. I own several high quality mics and I have always steered away from the to get mics with more top end. The time has come for a mic with more girth and darker. I thought that would be the but I'm not so sure now.

So to sum up the question, which would be the richest model with out the hyped top end. Also any other suggestions, for a little darker, fat sounding mic? I would like to use this for the bottom snare position in particular. I have an old EB P48 with the teflon capsule. It sounds really good on vox.

I never liked some of the newer -but I have not tried all models. If that's the case get an original Gefell UM It will give you everything you are asking for in this post.

Or 1K for the Gefell Best of luck! I own two Gefell UM 70s already and they are fairly bright. I love these mics, especially for overheads, but I thought it would be nice to have something thicker sounding.

Absurdly smooth and musical mids. They do not have a big bottom end thickness or extension IMO so I think you are justified in looking elsewhere for the "thick" thing. You might do better with a tube LDC for "thick" But I would be concerned that all the capsules are pretty much shot at this point. Can they be properly restored? Pad Yes. USB Microphone No. Item number Free shipping incl.

Available immediately Available immediately This item is in stock and can be dispatched immediately. Standard Delivery Times. Add to Basket. Neumann KM mt Stereo Set. Focusrite Scarlett Solo 3rd Gen. Warm Audio WA-Classic. Rate now. Exciting and versatile choices. I am confining this review to intended, rather than, actual use as the unmatched pair I have was planned for a recording session of a small group of young children for which the session was cancelled due to the Covid 19 pandemic.

Given that I had used the sister microphone that is the XLii as a mike for soloists I am sure that it will be perfect for the future task. I would comment that the manual is particularly helpful in assisting the inexperienced user to know which application needs a C XLS or CXLii.

The intended purpose e. One can hardly complain when the choice is between the two good alternatives. Report Do you believe this rating to be inaccurate or unacceptable for some reason?

Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions. Industry Standard, enough said. I spoke with an experienced producer who recommended this mic. He said he uses it for every production in one capacity or another.